Showing posts with label first chapter. Show all posts
Showing posts with label first chapter. Show all posts

Sunday, March 29, 2009

Hollywood Bohemians: Transgressive Sexuality and the Selling of the Hollywood Dream By Brett L. Abrams


Chapter One

Hollywood Nightlife

Female Impersonators andCross-Dressing Females

La Boheme Cafe owner Karyl Norman delighted patrons by dressing up in yards and yards of lace and feathers whenever he performed his incredible female impersonations. His impersonation of Joan Crawford doing a scene as Sadie Thompson brought down the house nightly, occasionally with Crawford enjoying the laughs.

Hollywood publicity frequently showed celebrities inside the fancy and fantastic environments of nightclubs and restaurants. The stars ate and drank lavishly, fought and danced wildly, and dated and romanced extravagantly.

However, some Hollywood nightlife images also depicted celebrities hanging out with exotic and decadent figures or engaging in exotic and decadent behavior themselves.

Hollywood bohemian imagery, such as Norman’s impersonation of Crawford, played a significant role in forming the mystique of Hollywood’s nightlife. The image informed readers about Crawford’s nighttime activities and her interaction with others. These two pieces of personal information offered readers the chance to believe that they knew the star more intimately. Presenting a female impersonator provided readers with a glimpse of something they rarely saw and the thrill of experiencing behavior and persons the culture labeled taboo.

The association with the unusual and taboo enabled Hollywood nightlife to stand apart from depictions of the nightlife in other cities. It enhanced the usual movie industry publicity that made Hollywood nightlife seem fun and adventurous by linking the nightlife to decadence, making it appear wild. Hollywood was not the only place in the United States whose restaurants and nightclubs received coverage in the newspapers and magazines, nor was it even the first city to receive such coverage.

The coverage of nightclubs was a relatively recent phenomenon in the early twentieth century. It centered on clubs and restaurants in New York City. Few public entertainment places in the middle to late nineteenth-century United States received significant coverage in the press. Saloons limited their clientele to males and rarely became the subject of newspaper reporting except when a disturbance appeared in police reports. Brothels, dance halls, and other nightlife locations existed within city vice and tourist districts and had reputations as such debased places that they rarely appeared in the mass media.

Many of the media readers, including members of the Women’s Christian Temperance Union, viewed places of public nightlife as disreputable and worked to close them down. In addition, these nightlife locations did not attract the people whose activities newspaper readers wanted to follow. Most middle- and upper-class men and women spent their leisure time in private homes and locations where admission came through membership in either a formal or informal social circle. The dominant social life for most people functioned around the private party.

By the end of the nineteenth century, a new nightlife emerged as locations moved to more respectable areas within United States cities. Commercial locations increasingly emerged to replace the family, neighborhood, and private clubs as places to meet people and receive a variety of stimulation. Restaurants in hotels opened in more respectable neighborhoods and attracted both men and women from the upper classes. With the movement to different neighborhoods and the drawing of upscale crowds, leisure locations attracted more print media coverage.

The sensationalist newspapers of the major cities discovered increased readership interest in the activities of the upper classes. They began expanding the coverage of their parties and their dining out in restaurants in the society columns. General interest magazines also depicted the activities of the wealthy in these urban locations. During the first decades of the twentieth century, dailies in the largest U.S. markets regularly ran weekday columns and Sunday sections that chronicled “Society’s” affairs. Many newspapers began running columns containing notes on the lives of those in the theatrical world that included their activities in restaurants and nightclubs.

Hollywood Bohemians:

Transgressive Sexuality and the Selling of the Hollywood Dream

By Brett L. Abrams

Author’s Blog: www.bla2222.wordpress.com

Buy Links:

1. www.mcfarlandpub.com/book-2.php?id=978-0-7864-3929-4

2. www.amazon.com/Hollywood-Bohemians-Transgressive-Sexuality-Movieland/dp/0786439297/ref=sr_1_1?ie=UTF8&s=books&qid=1232743430&sr=1-1


A Slave of My Own Desire by Eve Summers



Chapter 1

She: The Dangers of Dark Chocolate

His smile is so confident that it’s almost arrogant, and it makes me blush to imagine what his lips would taste like.

“May I get you a drink?” The teeth gleam predator-like in his face.

“Thank you, no. I already have one.”

Such a simple exchange: cliché even. So why does it make my heart race and my skin yearn for his caress?

“So I see,” he replies. He himself is also a cliché: very tall, very dark in the expensive-chocolate way, extremely handsome. “Except that your drink looks like a pumpkin.”

I laugh. “Of course it does. It’s meant to look like a pumpkin. What with it being a Halloween party and all. Gina went to a lot of trouble to set the scene.”

“She did a great job,” he brushes an imaginary cobweb strand off his sleeve. “Tell me, does it taste like pumpkin too?”

His voice is rich and intense, like the soul of a double espresso. And his lips… his lips are driving my hormones wild with desire.

I take a languid sip of my cocktail, let the orange liquid coat my tongue and throat. “Now that you mention it…”

The way he looks at me makes me hungry, too. The small red horns -- his only concession to the dress-up theme -- hint at unspoken taboos. My kind of guy.

His hand, when it touches mine for a second, sends a wave of heat through my body. I don’t even know this man, but his sheer magnetism can only mean one thing for me: trouble.

Make that Trouble with a capital T.

I sigh. That’s not for me, I can’t help thinking wistfully. I said goodbye to Trouble when I was twenty-one.

And now this man is threatening to destroy the peace I’ve worked so hard to attain.

“A girl like you should be drinking champagne,” he says. “Soup cocktails are not enough challenge for you.”

His eyes are flirting with me. Now is my chance to say that there is no champagne at my sister’s party, to which he will suggest going to his place where he undoubtedly keeps a selection of bottles on ice, and then….

“A man like you is dangerous,” I reply before my brain kicks in. Damn.

I expect him to ask why, but he surprises me. He takes my hand and places the briefest of kisses inside my palm. Electricity zips through me at the speed of light.

“Danger, madam, is my middle name.” He turns to leave.

I want him so much it hurts. I know I could stop him with a single word. Instead, I watch the man who could have been the man of my life walk away from me.

I should be relieved.

I’m not. My body is tingling all over, my heart is pounding in my ears. Damn me and my silly sense of what’s proper. Damn my parents, my upbringing. Damn it all.

I don’t even have his phone number.

The pumpkin cocktail beckons with promises of oblivion and drowned sorrows. I swallow, drink up, grab another.

“There you are, Clare.” It’s my sister. “I’ve been looking for you. There is this guy, a very nice man, I work with him. Anyway, he spotted you and is now dying to meet you. Come, let me introduce you.”

“Gina, I -” My heart is pounding in my chest. I’m sure she means the owner of the cutest set of buns. The one whose middle name is Danger.

As though in a dream, I follow her down the pumpkin-lined corridor and into the den.

“I’m very pleased to make your acquaintance,” I hear a thin, gallant voice.

I don’t even bother to raise my eyes. It’s not him.

I can see why Gina described him as a nice man, though. Courteous, attentive, without an ounce of naughtiness in his body or soul. My parents would approve: a perfect son in law, somebody who would reign in their rebellious child. Gina chose well on their behalf.

In fact, he reminds me of my first real boyfriend. My family chose that one too. He was kind and eager to please me. He treated me like a queen. I almost died of boredom.

And now here stands his exact replica, chosen by my well-meaning sister.

Nobody cares if I want my man to have little red horns.

Disappointment bitter in my mouth, I excuse myself as politely as I can. Then, having waved goodbye to Gina, I make a point of inspecting every room.

I find walls of artificial cobwebs, bowls of lime green goo that seems to move when you breathe, plastic spiders and bottles of mysteriously viscous red liquid. I find lots of people dressed as ghosts and witches and skeletons. I even find a fog-making machine.

But my handsome devil is not there.

I try to tell myself it’s for the best. Goodbye Trouble.



A Slave of My Own Desire

by Eve Summers (http://yewalus.kiwiwebhost.net.nz/Eve-Summers.htm)

Erotic Romance

Red Rose Publishing

ISBN: 978-1-60435-110-1

Buy now: http://redrosepublishing.com/bookstore/product_info.php?products_id=245

Saturday, May 31, 2008

See No Evil My Pretty Lady by Miss Mae


“See No Evil, My Pretty Lady”

by: Miss Mae


CHAPTER ONE

Dorcy rushed through the doorway, grabbing the hand railing to keep from falling down the slippery steps. Swirling fog cocooned her, the impenetrable moisture abruptly halting her frenzied flight.

Mr. Davenport!

The scream resonated long and loud inside her mind. With stunning clarity the image she'd seen rammed into her consciousness--a figure sprawled on the library floor, white shirt soaked with blood, the hilt of a knife stuck in his belly.

Numb with shock, she stood unmoving as the air erupted with noise. Hooves clattering against the cobble-stoned street signaled an approaching rider. Through a parting in the shifting fog she stared toward the corner gas lamp. Beneath its arcing light trotted a snorting gelding, a shrunken visage of a man hunched over the animal's neck.

“A body's been found in Mitre Square.” Raising his prune wrinkled face, the old man shrilled out his warning. “Lock yer doors. Stay inside.”

He spurred the horse down the street and the pair disappeared into the mist. His high, thin cry merged with the fading echo of the steed's departing hoof beats.

Dorcy inhaled a shuddering breath, the sudden odor of human body sweat alerting her to someone's presence. A deep, unfamiliar voice said, “Madame, I have some business with you.”

Gasping, she whirled to flee. But a strong hand gripped her arm and flung her against the wall of the house. Knocked breathless, she opened her mouth to scream.

“Oh no, my pretty lady.” Vise-like fingers clamped on her throat, preventing sound. “I think you'll be telling no one that you saw me.”

She clawed at the attacker's hand, her nails slashing his flesh as she fought to loosen his hold. Through the ringing crescendo of blood in her ears she heard the barking of a dog. The man jerked back and Dorcy twisted away. He grabbed at her, clenching her shoulder. She lashed out, her fists beating against the rough texture of his jacket. Strength born out of terrified desperation she tore herself free, squealing with pain as his fingers raked down her arm.

Terror guided her as she raced blindly through the fog-shrouded streets. Stumbling over an unseen object, she paused, whipping a disoriented look across her shoulder. A raspy cough rattled the air, and she jumped back, startled. The mist thinned and a bulky shape materialized in front of her.

“Miss Edwards. You're out and about early, ain't you now?”

“Mr. Butterfield.” She clutched at his solid form, tears of relieved recognition springing to her eyes. “It's you. It's you.” Unable to restrain herself, she fell against his generous girth and wept against his shirt collar.

Clearing his throat, he muttered, “Now, now child. Whatever's the matter?”

“There--there was a man.” Dorcy hiccupped a trembling breath and wiped her cheeks with one shaking hand. “He tried to--”

“A man?” Mr. Butterfield's voice rumbled with wary concern. “Out in this fog? What happened, child?”

Dorcy sniffed and tried to swallow down her tears. “He attacked me.”

The older man wrapped a protective arm around her. “Here, let me take you inside. Mother has a hot pot of tea ready.” He ushered Dorcy up a flight of low stone steps, and entered the house first, leading her into a shadowy hallway. Dropping hat and woolen muffler on a nearby chair, he called out. “Mother? Where are you, dear?”

The pink, fleshy face of Mr. Butterfield's wife poked around the doorjamb of a room that opened off the hall. “I'm here, Father.” She exchanged her term of endearment with him while she peered at Dorcy over the rim of small spectacles. “Who's that with you? Oh. It's Miss Edwards.” A welcoming smile broke across her features and she hurried forward with outstretched hands.

The warmth of Hazel Butterfield's embrace comforted Dorcy like a downy quilt. She rested her wet cheek against the soft fabric of the older woman's blouse, a delicate scent of lilac soap rising off the lacy collar.

“Let's take her into the parlor. We need some tea to warm her up.” Mr. Butterfield smoothed his white side-whiskers along the length of his own padded jaw line, moisture from the fog shining like dewdrops atop his mane of snowy hair. “She's had a bad fright.”

“Fright?” The woman pulled back to look into Dorcy's eyes. “My child, what happened?”

“Shall we?” Mr. Butterfield gave no time for Dorcy to answer. He led the way into the room from which his wife had emerged. Walking straight to the fireplace, he turned his backside toward the crackling flames. Hooking his thumbs in his waistcoat pockets, he nodded at the tray that set on a table before the couch. “Pour a cup for Miss Edwards.”

“Surely.” Despite the rotund bulges around her middle, Mrs. Butterfield moved lightly on her feet as she hurried to pour steaming liquid from the china pot. Extending a small cup toward Dorcy, she smiled. “Sit down, dear. Oh, my.” Her mouth fell open in concern as her round-eyed gaze took in Dorcy's appearance.

Mr. Butterfield cleared his throat and looked at the far wall. “Perhaps she'd care for a shawl, Mother.”

Dorcy wondered at the couple's apparent discomfort. Raising a hand to her shoulder, she fingered the torn strips of her dress. Embarrassed heat flooded her cheeks as she realized an ample amount of bare flesh obviously showed. Gratefully, she accepted the muslin wrap Mrs. Butterfield picked from the end of the couch and handed to her.

“How did that happen, child? You know you can tell us.” Mrs. Butterfield's soft voice offered maternal reassurance.

Dorcy took a slow sip of her tea. The well-lit room with its comfortable furnishings and warm fire tempted her to believe she'd imagined it all. Could the bloodied figure of Mr. Davenport and the unknown attacker on the street be only scenes conjured from a half-awake fantasy?

“That killer's struck again,” Mr. Butterfield spoke, interrupting Dorcy's musings. “Gus Tumblety rode by announcing a new attack at Mitre Square.”

“Mitre Square?” His wife gasped, clutching her throat in a display of horror. “Here in the city?” As if the thought just came to her, she turned a stunned look on Dorcy. “Oh, dear child. Tell me you didn't meet up with that butcher we've read about in the papers.”

“I don't know.” Bowing her head, Dorcy squeezed her eyes shut, tears of fright sliding down her cheeks and dripping off her chin. She tensed into one hard knot as she struggled against her fears. Who was that outside Mr. Davenport's house?

A loud knocking erupted on the front door. Mr. Butterfield jumped visibly. “Who can that be?”

His wife grasped his hand and looked up at him with a pleading gaze. “Don't answer it. Please, don't answer it.”

He snorted and threw back his rounded shoulders with a show of bravado. “I'm not a coward, Mother.” His stride firm and purposeful, he walked into the hallway.

Dorcy held her breath, straining to hear the latch of the door as Mr. Butterfield released it. Sounds lapsed, and then his voice called out, “Mother! Look who's here.”

Dorcy sat with her back to the hallway and watched Mrs. Butterfield's expression as she looked at the entrance. A relieved smile stretched her mouth wide, rounding her cheeks like a well-fed chipmunk's.

“Do come in.” She clasped her plump hands together in a gesture of delighted surprise. “We're that glad to see you, Mr. Davenport.”

http://www.missmaesite.com

buy at http://www.thewildrosepress.com

Sunday, September 2, 2007

CJ Maxx - Coming Back a Virgin (Rating PG-13)


Coming Back a Virgin is an erotic novel. Excerpts from Chapter 1 are posted here to maintain a PG-13 ratings.

COMING BACK A VIRGIN

Excerpts from Chapter 1


Walter Riggins moved the cursor to Send and clicked the left mouse button just as the doorbell rang. Frowning at the interruption, he walked to the front door and opened it.

A woman stood there in a black sequined dress; its most notable feature a mesh-covered cutout around the waist. The dress displayed her ample cleavage, accentuated her large breasts, small waist and prefect hips.

His mouth fell open as he stared at her.

She looked at him, frowned, and said, “Move, Walter!” and she pushed by him to enter his apartment.

Startled, he turned and continued to stare at her. “Who are you?” he stammered.

She ignored him and continued to look around his living room. What a mess! The residue of numerous fast food meals was everywhere. Piles of books and magazines had fallen from] the coffee table and the entertainment center onto the adjacent floor. The rug hadn’t been vacuumed in months. A thick layer of dust coated the untouched flat surfaces of his furniture.

“Clear off a chair, Walter. I want to sit down,” she demanded.

He quickly moved to his best chair and swept the pizza box and empty soda cans to the floor. “Here, sit down.”

“Thank you.”

Walter pushed aside the empty chip bags and dip containers then sat on the sofa “Now, who are you?”

“You know. I’m Lorraine .”

“I’m sorry. I don’t know any Lorraine . What’s your last name?”

She looked at the Playboy centerfolds on the walls. “Don’t know. You never gave me one.”

“What? What are you talking about?”

She gestured towards the glossy pinups. “What’s with the walls?’

He looked up at the centerfolds and grinned. “I didn’t have anything else to put up. Looks good for a bachelor pad, don’t you think?”

“No, I don’t,” Lorraine said. “It looks like some teenager’s idea of a bachelor pad.”

Not liking the rebuke, he asked again, “Who are you?”

“I’ve been in four of your books. I’m probably in the one you’re working on now.”

He studied her for a few seconds. “No. No you’re not. Lorraine ’s fictional—I made her up. I didn’t base her on you, whoever you are.”

“Oh, I’m not real. I’m the character in your books.”

Walter didn’t do drugs and rarely drank which made it hard to believe what he was hearing. “I’m sorry, I don’t recognize you. Even in the unlikely event one of my characters was sitting in this room, in that chair, I would recognize them. Don’t you think?”

“You know why you don’t recognize me?”

Walter hesitated. “No, I’m afraid I don’t. But you can’t be Lorraine , because—she’s not real.”

“You never describe my face, Walter. Not my hair, my eyes, my nose, nothing above the neck. The only time you mention my lips is--well, we won’t get into that. The only thing you describe is my body,...”

He stared at her, a stunned look on his face.

Lorraine stood and told him to do the same. “Come here!”

He moved warily toward her, stopping in front of her.

“Put your hand on my breast. No, both hands, both breasts, that’s what happens in your books.”

*****

Well, he didn’t take that too well, but it should convince him. She looked around while he lay there. I wonder if he has a girl friend? If he does, she doesn’t come here much.

Lorraine walked around the apartment and shook her head. No, no woman has been here. The bedroom floor was covered with dirty clothes. The nightstand was covered with cans and moldy cups. Yuck, men are such pigs. She couldn’t identify the original color of the bedsheets. They couldn’t be white. They must have been gray to start with. There was no discernable color to them now. My God, who would sleep in that? She carefully stepped over to the dresser and opened the drawers, one after another. They were all empty. Shaking her head she said aloud, “Well that doesn’t surprise me—it’s all on the floor.”

Walter was beginning to stir when she confronted the disaster in the kitchen. Dirty dishes were stacked on every possible surface. It looked like nothing had been washed for months and she doubted they could be cleaned now. She stared in amazement, wondering about his diet. Does he live on fast food?

She looked up as he walked in and stopped near the doorway, eyeing her suspiciously. “Okay, who are you? What are you?” he asked.

She smiled sweetly, “ Lorraine , I’m Lorraine .”

Walter couldn’t say her name. “Okay, what are you doing here?”

“I’ve come here to help you.”

“Help me?”

“Yep, that’s my mission. I don’t know what I got myself into though. What a mess.

You’re a mess, this place is a mess, your writing’s a mess, everything’s a mess. If I had known things were this bad I would have stayed up there.”

Walter didn’t understand. “Stayed up where?”

“Oh, up there, where we live, I don’t think it has a name.”

“You’re not talking about heaven, are you?”

“Oh no, heaven’s where God is, angels, Mother Teresa. No, not up there. I live with the other fictional characters.”

He sat and cleared away the remains of his last fast food meal from in front of him.
He put his elbows on the table and rested his head in his hands. “I need some coffee to wake up. I’m having a bad dream.”

Lorraine stared at the unknown substance growing in the carafe of his coffeemaker. “Not in this. You drink anything from this you’re going to die. If I were a Genie I’d get you some, but I’m not. You’ll have to go get it.”

He wearily got up from the table. “I’m going to get something to eat, too. You want something?”

“Nope, don’t eat. Go ahead, I’ll be here when you get back.”

He gave her a puzzled look, then turned and headed out the door.

Lorraine went into the bathroom where she found piles of moldy towels on the floor. She picked up a washcloth off the counter and saw it was stuck together. Oh God, she thought, I hope he’s not using this for what I think he is. She dropped it and opened the medicine cabinet. Surprisingly, it was neat. Cold medicines, aspirin, cough drops, Visine, box of band-aids, several tubes of KY Jelly. Hmm, wonder what the KY is for? Looking in the bathtub she could only shake her head. Disgusting.

Lorraine left the bathroom and headed into the living room. The mess had distracted her from the furniture when she first entered the apartment. Now she took a close look. He must be color-blind. This color scheme was a decorator’s nightmare. She stared in horror at the blue chair, an orange sofa, a black recliner, a colonial coffee table, and two modern chrome and glass end tables. She supposed it was the décor of a bachelor pad. The centerpiece seemed to be the sixty–five inch High
Definition TV with surround sound. This is better than what we have up there. She picked up the remote and deftly hit the right buttons bringing up his favorite listings. Just what I thought, he has all the porno channels. She opened the cabinet and found a row of XXX rated videos. She shook her head. “He’s hopeless.”

The front door opened as she headed back to the kitchen. Walter came in carrying a bag from Subway, a container of coffee and two Cokes.

“You still here?” he asked, disappointment in his voice.

“Yes, unfortunately, my mission keeps me here.”

They went into the living room and sat down at the table, Walter pushed aside some litter and took his sandwich from the bag and unwrapped it. “Sure you don’t want anything, I’ll share.”

“No, don’t need food, or sleep, for that matter. I’ll just sit here and watch. Tell me, what do you do for a living?”

Thinking for a second, he said, “I’m an engineer, an electrical engineer. Work for a computer company.” Knowing he was an electronics technician, she wondered why he was lying. Probably trying to impress me, she thought. “That’s interesting,” she said. “Why don’t you live in a house instead of this place?”

He bit into the sandwich and gave the question a few seconds’ thought. “Houses have yards. More work. I need all my spare time for writing. That’s why this place is a little messy. I don’t spend much time keeping it clean.”

“I can see. So how’s your latest book?” she asked.

He smiled proud of himself. “At the publisher. Sent it off right before you rang the bell.”

Lorraine got up walked over to the computer, woke it and quickly found the outgoing e-mail. Spending a minute or so, she wrote an e-mail and sent it to his publisher. Then she made a few more keystrokes and returned to the table.

“What’d you just do?” he asked.

“It’s coming back. That book doesn’t leave here until I’m satisfied with it.”

“What, you can’t do that?”

“Oh, I just did,” she said with a slight smile

Walter was exasperated. “What do you want?”

“Just want to make you a better writer. You have some problems. How many times were you turned down on your first book?”

“I don’t know, about ten, I guess.”

“Twenty-three! The only feedback you received was one cryptic note on a rejection slip, ‘strong start; went off the cliff’.”

He finished his sandwich. “I never could figure out what that meant. Since then I found this publisher that likes my books. They’re happy to print them. I’ve got four published.”

Lorraine went over to his bookcase, and picked up Wild Time in Vegas. Pointing to the publisher, she said, “Walter, you pay for the printing. Your publisher is a vanity press. Don’t you understand the difference? You pay money, they print.
That’s the definition of vanity press. Mainline publishers pay you royalties for each book sold. No money upfront from you. Get it?”

He looked embarrassed and mumbled, “Yeah, I know. It just wasn’t worth the hassle. It was easier to pay to get it printed.”

“The Big Guy said you have potential. That’s one reason I’m here.”

“What?”

“The Big Guy was passing through Dallas and he found your book Love and Betrayal in a Fishing Village in the waiting area for his connecting flight. Probably a copy you gave to one of your friends. He likes sea stories so he picked it up. It was interesting, up to page eighteen. You know what happened on that page?”

He lowered his eyes and spoke quietly. “I think it was a sex scene with you.”

“A slut scene is more like it,” Lorraine said. “Let me quote what you wrote, I know them all by heart:”

****

Feeling foolish now, he said, “I don’t know, I thought it was clever.”

“That trashy writing is what got me here. He was impressed with you up to that point. Good beginning, effective hook, clear narrative, well written dialogue and strong characters. Something happened when you got to me.”

He picked up he book and glanced at the text. “If books are going to sell, they’ve got to have sex in them.”

“He wasn’t objecting to sex, he was objecting to your total inability to put sex on paper in any meaningful or entertaining way.”

“I don’t know what I did wrong,” he said defensively. “I thought it was pretty good.”

She frowned, “That’s the other reason I’m here. I’m known as the ‘slam, bam, not even a thank-you, ma’am’ character up there. It’s affecting my love life. The next sex scene you write with me in it will be romantic, not erotic. Do you have a girl friend, Walter?”

“Well, not right now,” he replied with a disgusted look on his face as he rubbed his head.

“You’re how old now, thirty-five? How many girl friends have you had, literally and figuratively?”

“Hey, I like that line,” he said, smiling. “I’ve got to remember it.”

“Answer the question!”

Again rubbing his head, he said, “Uh, well, not many, really. Uh, a few.”

“You have sex with any of them?”

“Yeah, two of them,” he replied, smiling now.

“Well, did they like it?”

“They sure did, said I was a stud!”

“Were they beating down your door to get more?”

He frowned. “Of course… well, no, we broke up after that.”

“Okay,” Lorraine said, “I see the problem. You’re not getting your sexual scenes from experience. Where are you getting them?”

“Well, I guess I get them from TV. I watch a lot of TV when I’m not writing.”

“What kind of TV shows were you watching when you dreamed me up?”

“I guess it was a combination of shows, I don’t remember any particular one.” He appeared embarrassed.

“Well, I can guess. How about ‘Horny Housewives’, or maybe ‘Sluts on the Loose’, something along those lines?”

“I’m kind of embarrassed to say this, but it was probably from some X-Rated movie.”

“Twenty-two people in your first four books, Walter. That’s the count. I wonder how many in your latest book. You’ve made me out to be the biggest slut in the world. I can’t get a boyfriend up there.”

“You can have boyfriends up there?”

She ignored his question. “And another thing. Your darling little Samantha, that sweet little teenager I’m always seducing? Well, I’m not a lesbian and she’s not a lesbian. She wanted to come down here to smack you. Papa H. wouldn’t let her.”

“Papa H.?”

“Yeah, the Big Guy.”

Taken aback somewhat, he asked, “Hemingway, Ernest Hemingway is the Big Guy?”

“Yeah. Samantha’s got something going with him. They’re always in his office.”

“The Big Guy is Ernest Hemingway!” he exclaimed. “I can’t believe it.”

“He got elected or something. He’s the boss.”

“He liked my writing. Wow, I’ve got talent, I can’t believe it, Hemingway.”

“Calm down. You being selected was a fluke, you’re the first vanity press writer that’s ever got a visit. After my report, probably the last, too.”

“I still can’t get over him thinking I’ve got talent. Wow!”

“Well, get over it. You’ve got problems to fix before anything else happens.”

The revelation made him giddy. “Okay, Lorraine , start helping me.”

“Let me explain something to you. Your idea of sexual situations is more suited for Penthouse or one of the Hounds of Hell magazines. Your stories require romantic settings and scenes that lead to sex. Not this garbage you write: ‘A fish sucking in the bait’. I still can’t get over that one.”

“Okay, I see your point. Let’s get started.”

“The scene, Walter. That’s what we fix first. Know what setting the scene means?”

“We go to a motel? My bedroom? I need to change the sheets, what?”

“This pigsty you live in. That’s the scene.”

“Can’t you just blink your eyes or something and clean it up?”

She stood and pulled him up by the hand. “Let’s look around the living room here.
First the good news, the ceiling’s okay—now the bad news, everything else sucks. The pictures go. The walls need painting—a neutral color, please, not this green. You need matching furniture. The carpet needs shampooing. Probably better to replace it.”

Looking hurt, he said, “All that?”

“Yes, if you’re going to bring me to your place for romance, this room starts the process. I’ve got to feel comfortable, amiable, wanting to see where this goes. Get it?”

A small speck of light began to form in his brain. “I think so. This sets the mood, your mood, right?”

Lorraine took him by the hand, squeezed it, and led him into the kitchen. “How do you think this should look if I happen to wander in here?”

“Like something out of Good Housekeeping?”

“Exactly. Let’s go to the next room.”

Entering the bathroom, she said, “You were in the service, right?”

“Damn right, I was a Marine.”

“Good. You’ll understand what I’m saying. This place must be spotless, remember what the Drill Sergeant said about eating off the floor?”

Snapping to attention, he yelled, “YES, DRILL SERGEANT!”

She smiled at his response and they headed into the bedroom. “You couldn’t get a twenty dollar hooker to come in here. You know that?”

He shook his head. “You’re right, this is pretty bad.”

She picked up a corner of the bottom sheet with two fingers, paused, and pulled it off the bed. “I don’t see how you can sleep on this.” She tossed it aside. “Well, at least the mattress is clean, you won’t have to replace it.”

Frowning, he said, “I don’t know about this. This sure seems like a lot of work for a piece of…”

Lorraine cut him off, “A lot of work to make you a successful writer, you’re right.”
He had has doubts. “I don’t know.”

She smiled. “The Big Guy thinks you have talent, remember?”

“You’re right. I’ve got to do this, this is my shot at making the big time.”

“It’s after eleven, you’ve got to work tomorrow. Go to bed, I’ll see you in the morning.”

“Where are you going to sleep?”

“I don’t sleep, remember? I might clean up a bit, probably watch some movies, read some.”

She smiled and vanished, reappearing in the living room.

Tuesday, August 28, 2007

Judi Moreo Author of You Are More Than Enough

Join motivational speaker Judi Moreo, author of the self-help and motivational book, You Are More Than Enough: Every Woman's Guide to Purpose, Passion, and Power, as she virtually tours the blogosphere in July on her first virtual book tour! Judi Moreo is a leading authority in the areas of communication and motivation. She has conducted consulting assignments, training workshops, seminars and keynote speeches in 26 countries on 4 continents. She has coached countless business leaders worldwide on issues of corporate change, cultural diversity and conflict management.

This is the first chapter of her book -

Realize who you are.

“No man can know where he is going unless he knows exactly where he has been and exactly how he has arrived at his present place.” Maya Angelou Poet, Educator, Historian.

Why is it that having confidence in ourselves and our abilities is so hard? Why do many of us have the tendency to over estimate other people's abilities and power and under estimate our own? Why are we so concerned with what other people will think about us?

If we are to understand these things, we need to understand first why we think, feel and act the way we do. We need to understand why and how we have become who we are as well as why we react or respond in certain ways. When we understand ourselves, we can either accept the way we are or make changes so we will be able to accept ourselves.

What we believe and accept about ourselves determines our behavior and performance. These, in turn, create our results and our results affect our confidence levels.

We behave in accordance with our beliefs about ourselves. If we have self-limiting beliefs, we will have self-limiting behaviors. If we have self-empowering beliefs, we will have self-empowering behaviors. In other words, if you think you can, you can and if you think you can't, you can't. If you think you can, you will find a way. We perform as well as we believe we are capable of performing.

Most of our beliefs about ourselves have come from outside sources: people, education and experiences. Many of us have allowed the opinions of others to become our opinions of ourselves. We've listened to people tell us we are incompetent, inadequate, unworthy, bad or stupid. We've internalized, processed and often believed what others have told us.

There is a direct correlation between the quality of your relationships and your levels of self-esteem and self-confidence. If you're like most people, how you feel about yourself, good or bad, is largely dependant upon the degree of acceptance you have felt from the influential people in your life.

In the beginning, we learned our beliefs and values from our parents. If our parents' self-esteem levels were low or they had poor concepts, values and beliefs, then that's what we learned. If they felt inferior, inadequate or unworthy, we probably adopted those qualities. When we are children, we go through an “imprint period” where we formulate our behavior patterns based on what is impressed upon our thought patterns by the adults who are instrumental in our growth.

If we were told “you are a bad girl”, it really meant our behavior was unacceptable, but most of us didn't hear it that way. We internalized it to mean that WE were unacceptable. Most parents don't realize how important it is to separate the act from the individual. Instead of saying, “You're usually so graceful…I'm surprised you tripped and fell. Are you okay?” they will say, “You're so clumsy!” They don't understand the deep, negative impact this has on a child.

If we were compared negatively to other children, especially children outside of our immediate family, we might have come to believe those children had more abilities and were more popular than we were. That is when feelings of inferiority start to set in. If we didn't receive appreciation or recognition for our achievements, we may believe others are smarter, stronger or better than we are.

If my grandmother told me once, she told me a hundred times that my cousin, Bobbie, was smarter, cuter and more popular than I was. After the first 10 times, she really didn't have to tell me any more. I already believed it! So if Bobbie took dance classes, I didn't want to take dance classes because I knew before I started I would never be as good as she was. If Bobbie tried out for a part in the school play, I wouldn't try out because I could never be as good as Bobbie. If Bobbie ran for student council, I certainly wouldn't be able to achieve what she achieved, so why bother? I knew for sure I'd never be Homecoming Queen, because Bobbie had already worn that crown.

If we had parents who tried to realize their unfulfilled dreams through us and our accomplishments, they may have pushed us beyond our abilities or our desires in particular areas making us feel “less than” we could have been or should have been. Or maybe they even instilled such a drive in us to be what they wanted us to be, that we didn't learn how to be assertive and stand up for what WE want.

My friend, Sue, didn't want to play softball, but her father was the girl's softball coach and a jock to boot, so he insisted Sue become a pitcher and a home run hitter. He pushed and pushed until she was in tears after every game and she quit before the end of the season! When she was in Girl Scouts and they went on a hike, Sue somehow wandered away from the others and became lost. Once found, her father said to her, “Don't tell anyone you couldn't find your way out of the woods.” When they would go fishing, he would say to her before they ever got to the dock, “I know you are going to be sick, so just deal with it!” Today Sue works at a job she doesn't really enjoy because she still hopes to win her father's approval and when she faces challenges in life, she sometimes cries, has a tendency to get sick, often quits things before learning to do them well and most of all tries to “just deal with it.” In other instances, she takes on risky assignments in an attempt to get her father to see how brave and strong she has become! Occasionally, I hear her reference how well she has done for a girl who can't find her way out of the woods. Is it as obvious to you as it is to me where these coping mechanisms were learned? And isn't it sad that her father's early harsh criticism has stayed with her all of her life?

If our parents or peers are obsessed with physical appearance, they may also push us into a life that devalues us. Jeanette was a beautiful teenager. Her parents pushed her into every beauty contest they could find. They were determined because she was so beautiful; she should have only the best of everything. They moved to the most exclusive neighborhood in the city, so she could go to the right school with a “higher class” of students. They joined the country club at great expense so she could mingle with the “right” people. Then they worked around the clock to pay for it. When she had the opportunity to meet young men, her mother would say, “Stand up and meet the boy.” So Jeanette would stand up, stick out her breasts, suck in her stomach and put on her most seductive smile, so the boy could look her over and see what a good catch she would be. She married the man they chose for her who didn't appreciate her “standing up” to meet all his friends and business associates. She lived a miserable life until she got divorced. Then she found herself back in the limelight standing up for the “right” men to meet her again. Unfortunately, as she grew older, her looks faded and she was no longer the beauty she had been. Because she relied completely on her beauty, she never developed any of the other interests, virtues or qualities one might seek in a mate. She died bitter and alone -- surrounded by her beauty pageant trophies.

Children of parents who are obsessed with physical appearance usually develop a major case of low self-esteem. In addition, the media puts so much emphasis on beauty and being thin that many girls, and even supposedly intelligent grown women, develop eating disorders and poor health in an effort to keep up their appearances.

If our parents placed a very high value on possessions and having money in the bank, whether they had it or not, the emphasis on materialism we learned could lead us to a life of overachievement and striving for wealth and material goods. We may even marry someone because of the possessions, wealth or stature of that person.

Mary's occupation is marrying wealthy men. I say “men” because she has married four men of considerable means and found out after each wedding ceremony that she didn't even like the person. Eventually each “wonderful” marriage ended up in a bitter, nasty divorce. How many of these do you think she'll go through before she realizes what she is doing? My father used to say,
“If you marry someone, be sure you like the person and you can love him even if he loses everything he has, because that's the person you'll be stuck with.” Times have changed since my father's day, and in today's world where two out of three marriages end in divorce, you no longer need to stay stuck in a bad relationship.

You can get a divorce without the stigma it carried in my father's time, but why would you want to put yourself through all that turmoil and emotional drama? It's certainly hard on one's self-esteem. We shouldn't use up even one moment of our lives dealing with negative emotional feelings that we can avoid by making better choices in the first place.

http://www.judimoreo.com/
"You Are More Than Enough: Every Woman's Guide to Purpose, Passion, and Power" is available in bookstores everywhere. ISBN #1-932173-72-2 or call Charlotte at (702) 896-2228.

Sunday, August 26, 2007

CJ Maxx - In The Arms of a Warrior


Excerpt from In The Arms of a Warrior by CJ Maxx

Susan Ambrose walked into the Design Engineering Department and stopped in front of the admin assistant’s desk. She stared at Mary Jane Winter’s provocative black jumpsuit and a smile slowly formed on her face. "What? You were out partying last night and didn’t have time to go home and change?"

"You don’t remember, do you?" MJ asked. "The new guy starts today."

Susan chuckled, "Oh no! How could I forget? How could I come in here dressed like a bag lady?"

MJ smiled, "Hey, this guy is single, twenty-eight years old, and from what I hear, good looking! I’m going to dazzle him when he gets here. Once the boss is done with him, he’ll be spending time with me. He’s going to think he went to heaven and I’m one of the angels."

"Angel? I don’t think so. Devil in the black jumpsuit is more descriptive."

She wrinkled her nose at Susan, "You may not care about your first impression, but I do, I’m not getting any younger."

"If you’re dressed like that, I wonder what the desperate duo are wearing? It’ll be like a fashion show around here for the next week." The two female design engineers, Cassie Hunter and Katherine Gillian, practically threw themselves at any unmarried man. Susan shook her head and said, "The poor guy doesn’t know what he’s getting into, this is like ‘Desperate Women in the Work Place’. It could be a TV show."

"You’re not getting any younger either, you know. What are you, thirty now?"

Susan faked a hurt look. "Hey, I don’t see the big 3-0 for two more years."

MJ laughed. "Anyway, one bad marriage shouldn’t turn you against men forever. It’s been three years now, you should be over that jerk."

Susan stepped over to her distribution box, took out the contents and glanced through the documents. As she turned to leave, she said, "Oh, I’m over him. I’m just waiting for Mister Right to come along."

"Those guys on the white horses are all gone; you’ve got to start sorting through those Mister Maybes looking for Mister Almost Right."

"I’m sure you’ll give me a full report on your first encounter with Mr. David Wilson," Susan said as she walked to her office.

MJ smiled, "I’ll be in your office as soon as I escort him to Human Resources."

The man approaching MJ’s desk was tall, maybe 6’1", about 200 pounds or so. His off the rack suit didn’t hide the fact that he spent time in the gym. His broad chest and slim waist made him look like an athlete.

He stopped in front of her desk and said, "I’m here to see Tony Holiday."

MJ looked into his eyes. They were jade green. "You must be David Wilson."

He nodded, "Yes, I am."

She stood and extended her hand, "Welcome, David, I’m Mary Jane Winters, the department Admin Assistant. Just call me MJ."

He shook her hand firmly before releasing it. Looking past her at the name on Tony’s door, he replied, "Nice to meet you, M.J. Is Tony in?"

He was as handsome as she’d heard from her friend at Grumman, his last place of employment.


Strong chin, gorgeous green eyes, dark brown hair and full sensual lips.

David was still looking at the door behind her, "Is he in?"

MJ put her hands on her waist and thrust out her chest, "Oh, I’m sorry. Yes, he’s expecting you. Go on in."

He didn’t respond, just walked to the door.

MJ watched him until he was in Tony’s office and out of sight.

As promised, MJ walked into Susan’s office twenty minutes after she escorted the new employee to HR.

"Damn," she said as she plopped down in Susan’s guest chair. "I don’t know about him. I spent fifteen minutes with him, just the two of us, and, I swear, he never once looked at my 38Ds. I had to hang around Purchasing after I dropped him off, just to let those guys leer. I needed a morale boost after him."

Susan sat back in her chair and laughed, "You know, he’s probably just not used to hussies coming on to him first thing at his new job."

"I’m not a hussy," MJ replied with a smile on her a face.

"No, of course not. You’re wearing this seductive cat suit, your boobs are about popping out, nipples almost showing, probably staring at his crotch the whole time. No, you’re not a hussy."

"I wasn’t staring at his crotch," MJ said, smiling, "But I did check out his ass when he went into

Tony’s office. Umm, nice, tight, I’d like to have both hands on it."

"Oh no, you’re not a hussy. I can tell by the lady-like way you talk."
MJ got up to leave. "You’re going to meet him this afternoon. I want a full report from you. Miss Iron Panties."

"Iron panties? Where did you come up with that?" Susan laughed. "I’ll give you a report. I’ll bet he’s just a guy who wants to do a good job." She was looking forward to meeting him. It was time to move on. MJ was right; she wasn’t getting any younger.

"He’s a guy. If he didn’t notice me, his interests are somewhere else and I’m not talking about work."

Susan shook her head at MJ and chuckled. "I’ll tell you what I think about him before the day’s over."


Saturday, July 28, 2007

HOW TO SUBMIT

The first chapter of you book is critical. This is a place to share your the opening chapter of your book with others. Please send the following items to me at nikki_leigh22939@yahoo.com.

A document file with the title of your book, your author name, your first chapter, your website address and a link to buy your book. Once this information is compiled in one file, save it as an RTF (rich text file) and email to me along with your cover art, if you want to include the artwork. There seems to be some confusion - there are no questions to be answered on this blog. It is to share the first chapter of your book with others.

I look forward to reading your opening chapter and sharing it with my visitors.

Nikki Leigh
http://www.nikkileigh.com/